fbpx

Find Us: 11 Knuckey St, Darwin City NT 0800

Email Us: art@aaia.com.au

Call Us: (08) 8981 1315

Aboriginal Fine Arts
  • All Artwork
    • Arnhem Land Artwork
    • Aboriginal Desert Art
    • WA Artwork
    • Bark Paintings
    • Large Aboriginal Paintings
    • Under $1000
  • Artefacts
  • Artists
  • Culture
  • More
    • Contact Us
    • Shipping Information
    • Refunds & Returns Policy
Menu
  • All Artwork
    • Arnhem Land Artwork
    • Aboriginal Desert Art
    • WA Artwork
    • Bark Paintings
    • Large Aboriginal Paintings
    • Under $1000
  • Artefacts
  • Artists
  • Culture
  • More
    • Contact Us
    • Shipping Information
    • Refunds & Returns Policy
Facebook Instagram
AUD $ 0.00 Cart

Ivan Namirrikki

Alternative Spelling:   Namirrki, Ivan Namanyilk, Ivan Namunjdja
Born:                   1961
Region:                 Central Arnhem Land
Community Centre:       Maningrida
Outstation or Country:  Marrkolidjban
Language Bloc:          Bininj kunwok
Language:               Eastern Kunwinjku
Local Group (clan):     Kardbam clan
Social Affiliations:    Yirridjdja moiety, Bulanj subsection
Medium/ Form:           Bark painting, ochres on bark, Hollow Logs

Ivan is the eldest son of the late Peter Maralwanga, famous bark painter, whose works hang in major art galleries and museums. An entire exhibition of Peter’s work held in Perth some years ago was bought out by the late private collector Robert Holmes a’ Court. Maralwanga taught both Ivan Namirriki and his four nephews to paint when the family lived at an isolated outstation called Marrkolidjpan, between Oenpelli and Maningrida. Later the nephews moved further towards Maningrida, but Ivan remained as guardian of the vast traditional lands he has now inherited. He is also the ceremonial leader of his clan, and the keeper of all the myths telling of the history and religion of the Kunwinjku tribe.

Ivan is now regarded as one of the foremost artists of the Kunwinjku tribe, and has reached the level of fame accorded to his father, who painstakingly taught him how to paint the complex designs of crosshatching, (rarrk), appearing on the bodies of the creatures he depicts, using the brilliant colours which belong to the clan. The ochres are found in secret deposits in the ground, the white colour comes from a clay site in the bush, and black is charcoal from camp fires. His work is much sought after throughout the world.

Ivan’s camp before the new house was built

Ivan has several children and when they reach the age of 15 or so he will start teaching his sons how to paint on bark and on Arches Rives paper, so that the stories handed down to him by his late father will never die out. He still hunts and fishes in the traditional way, and has great obligations on him to look after all of Maralwanga’s seven wives and many children. It is incumbent on him to keep painting to supply all their needs and-to keep improving his outstation. He helped his father grub out the trees by hand to form an airstrip and to erect a windmill on the banks of the freshwater creek beside his camp, and is anxious to improve the living conditions of his extended family by building houses better than the bush shanties and corrugated iron dwellings at present on the site. He does not drink liquor, and is a most conscientious and dedicated leader of his people.

Click here to view the Exhibitions and collections

Collections Held:
Artbank, Sydney.
National Gallery of Australia, Canberra.
Art Gallery of South Australia, Adelaide.
Djomi Museum Maningrida.
National Gallery of Victoria, Melbourne.
Museum and Art Gallery of NT, Darwin

 

Exhibitions:
1983, Artists of Arnhem Land, Canberra School of Arts.
1988, Kunwinjku Artists, Beaufort Convention Centre, Darwin.
1989, Kunwinjku, Deutscher Gertrude Street.
2000, Sydney, with John Mawundjal
2000, The Seventeenth National Aboriginal Art Awards, Museum and Art Gallery of NT, Darwin
2001, Germany with John Mawundjal
2001, The Eighteenth National Aboriginal Art Awards, Museum and Art Gallery of NT, Darwin
2002, The Nineteenth National Aboriginal Art Awards, Museum and Art Gallery of NT, Darwin
2003, The Twentyth National Aboriginal Art Awards, Museum and Art Gallery of NT, Darwin

Artworks

14908

Ivan Namirriki
Rainbow Serpent/Mimi

C/No: 14908 95cm x 150cm Acrylic on Canvas
AUD $ 7,500.00
Add to cart
14909

Ivan Namirriki
Mimi Spirits

C/No: 14909 97cm x 151cm Acrylic on Canvas
AUD $ 7,500.00
Add to cart
14911

Ivan Namirriki
Rainbow Serpent

C/No: 14911 37cm x 69cm Bark Painting
AUD $ 2,200.00
Add to cart
14916

Ivan Namirriki
Rainbow Serpent

C/No: 14916 35cm x 151cm Bark Painting
AUD $ 4,500.00
Add to cart
14914

Ivan Namirriki
Rainbow Serpent

C/No: 14914 51cm x 138cm Bark Painting
AUD $ 4,500.00
Add to cart
14913

Ivan Namirriki
Sacred Waterholes

C/No: 14913 24cm x 74cm Bark Painting
AUD $ 750.00
Add to cart
14280

Ivan Namarikki
Ngalyod

C/No: 14280 56cm x 105cm Acrylic on Bark
AUD $ 5,500.00
Add to cart
11981

Ivan Namirrikki
Ngalyod the Rainbow Serpent

C/No: 11981 75cm x 105cm Acrylic on Arches
AUD $ 4,500.00
Add to cart
12737b

Ivan Namirrikki
Ngalyod and Mimi

C/No: 12737 57cm x 77cm Ochres on arches paper
AUD $ 2,500.00
Add to cart
14918

Ivan Namirriki
Hollow Log

C/No: 14918 10cm x 66cm Hollow Log
AUD $ 700.00
Add to cart

We are also a signatory to the Indigenous Australian Art Commercial Code of Conduct, which was recently introduced to promote fair and transparent dealings within the Industry.

Aboriginal Fine Arts Gallery is a founding member of the Australian Indigenous Art Trade Association, which was established to promote the ethical trade of indigenous art. 

Contact Us

  • (08) 8981 1315
  • +61 8981 1315
  • 11 Knuckey St, Darwin City NT 0800
  • Secure Order Form

opening Times

Dry Season

Monday – Friday: 9am – 4:30pm

Saturday: 9am – 2:30pm

Sunday: 9am – 2:30pm

Wet Season

Monday – Friday: 9:30am – 3:00pm

Saturday: 9:30am – 2:00pm

Sunday: Closed

subscribe to our mailing list

© 2021 - All rights reserved to AAIA Gallery - Online since 1994

Facebook