Mitjili Napurrula











Other Spellings: Michelee


Born:   	c. 1945
Region:	Western Desert
Community:	Haasts Bluff
Language:	Pintupi
Area:   	Kintore
Social Affiliation:  Napurrula subsection
Subjects:	bloom, Mitukatjarrila
Medium:	Acrylic paint on canvas


Awards:		
Mitjili has received a number of awards of excellence including the Australian 
Heritage Art Award, Canberra 1993, Northern Territory Art Award, Alice Springs 
1994, and most recently the 1999 Alice Springs Art Award.

          
Collections held:	
Artbank, Sydney.
Art Gallery of New South Wales, Sydney.
Flinders University Art Museum, Adelaide.

       
    
Exhibitions:	
1993, Australian Heritage Commission National Aboriginal and Torres Strait Islander 
Art Award Exhibition, Old Parliament House, Canberra.
1994, Hogarth Galleries, Sydney
1994, Adelaide Fringe Festival.
1994, Ikuntji, paintings from Haasts Bluff 1992-1994, Gallery Gabrielle Pizzi, Melbourne; 
1994, Central Australian Aboriginal Art and Craft Exhibition, Araluen Centre, Alice Springs.
1994, Australian High Commission and Shangri-la Hotel, Singapore, through Tandanya 
Aboriginal Cultural Institute.
1994, Yiribana, Art Gallery of New South Wales, Sydney.
1995, Mitjili Napurrula and Marlee Napurrula, Flinders Lane Gallery, Melbourne; 
1995, Ikuntji: Paintings from Haasts Bluff 1993-1995, Framed Gallery, Darwin; 
1995, The Twelfth National Aboriginal Art Award, Museum and Art Gallery of the 
Northern Territory, Darwin; 

     
      
Select Bibliography:
Neale, M., 1994, Yiribana, exhib. cat., Art Gallery of New South Wales, Sydney. (C) ; 

Strocchi, M., (ed.), 1995, Ikuntji: Paintings from Haasts Bluff 1992-1994, IAD 
Press, Alice Springs, Northern Territory.


Details

Recognized as one of the most famous Pintupi women painters and coming from a 
patrilineal line of painters Mitjili commenced painting in 1993. Her mother, 
Tjunkayi Napaltjarri, was involved in the 'Minyma Tjukurrpa Project' (a collection 
of women painters from Kintore and the Ikuntji Womens centre in 1994) and 
consequently became one of the principal women painters at Kintore. Her brother 
is perhaps the most acclaimed painter in her line - the Great Turkey Tolson 
(deceased) who is one of the founding members and principal painters for Papunya 
Tula. Her sister, Wintjiya Napaltjarri is one of the three wives of Tupa, Turkey 
Tolson's father, and her husband Long Tom Tjapanangka is also a leading painter 
at Haasts Bluff who recently won the prestigeous 1999 N.T. Telstra Art Award 
and has many works held in public collections nationally.

Turkey Tolson painted the Tjukurrpa or Dreaming associated with the assembly of 
spears. Representing the female side of this dreaming, Mitjili concentrates on 
the trees that provide the wood. Taught her fathers dreaming by her mother, 
Mitjili has a close association with the spear dreaming as her fathers country 
Ulwalki is where the trees that provide the wood for spear making are found. 
Her symbolic representations are strongly patterned works with distinctive 
contrasts in the use of colour. Formative symbols take shape against a dotted 
white background - creating depth and movement - a playful combination on the eye.

Other Dreamings Mitjili has inherited include Wangunu or Portulaca (small black 
seeds ground and used to make damper). And Arkatjirri - a fruit similar to a 
sultana that is found in the bush. A large body of her work includes vibrant 
reds, yellows and browns which serve to communicate the essence of flowers, many 
of her works being primarily concerned with their representation. Her superb 
sense for spacing and colour is distinctively appealing and indicative of her 
playful manner. Her works are widely collected both publicly and privately and 
have been exhibited both nationally and internationally.








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